The Die is Cast!
Thoughts, Musings and the occasional Rant about Wargaming...
Friday, 23 October 2026
Dreadtober 2026, Combat.
Tuesday, 20 October 2026
The Ironhowl - Black Legion Veteran Tactical Squad.
With Dreadtober continuing to trundle along in the background, I fancied a slight break from the Dreadnought.
Spying a few unfinished Chaos Marines on the desk, I took advantage of a few spare hours a day and got them finished off, bringing the first squad of the Black Legion up to ten men strong.
The two completed this time were the half-bareheaded Marine and the autocannon-wielding Marine.
The banner carried by the squad champion is a 3D print from a selection of banner STLs I picked up cheaply. There'll be more of those as the Legion progresses, which should help give the various squads a little more individuality.
Other than adding tufts to finish off the bases, I'm still contemplating whether to add a symbol to the red banner. Perhaps part of a Chaos Star painted across it? I'll give that a little more thought before committing paint to it.
But, importantly, the Ironhowl are now ten strong and battle ready, ready to take the field when the Legion next marches to war.
Until next time, have nice day...
Thursday, 15 October 2026
Dreadtober 2026, Lost Names.
Another week of Dreadtober, and more progress has been made!
Despite limited hobby time this week due to work, I have managed to sit down at my desk and put in some more hours on the Dreadnought. I am happy with where the project currently stands, and I am feeling confident about getting it completed by the deadline.
The main progress this week has been on the upper assemblies. The Sarcophagus, Plasma Cannon and Power Claw are now more or less ready for their final layers of paint and detailing.
All the parts have had their base colours applied, followed by a wash of Agrax Earthshade to bring a warmer tone to the otherwise stark black armour.
On the base, I have also applied the base colours to the dirt, while the fallen Word Bearer has received his own basecoat and wash.
Yes, I decided to go with a Word Bearers Legion Marine for the traitor on the base. I thought this would provide a little visual variety once the Dreadnought's legs are completed, adding another splash of colour beneath the black-armoured war machine.
Moving on to the Power Claw arm, this is now more or less at the same stage as the other upper assemblies.
One of the main differences here is that I am planning to add fine white line highlights to emphasise the shape of the bone-armoured sections. These should help define the edges and bring a little more contrast to the finished piece.
Friday, 9 October 2026
Dreadtober 2026, Armament.
The answer came not from Seraphiel, but from the distant hiss of pressurised air as the restraints disengaged. The cradle lowered, carrying the ancient warrior from the Sepulchre towards the arming cage. Ribbed hoses and thick bundles of cables trailed from his sarcophagus, their connections releasing one by one with metallic clicks and sudden bursts of vapour. Beyond the open doors, the arming servitors awaited their charge.
"The customary rites have changed little, Honoured-Brother," Seraphiel replied. "Though I fear the same cannot be said of the galaxy."
"Then perhaps you might begin by explaining it, rather than leaving me suspended in a cage."
"In due course, Honoured-Brother."
The arming cage swallowed the Dreadnought in a haze of steam and candlelight. Tech-adepts checked the great pistons of his legs, replenished his sacred lubricants and topped up the coolant reservoirs. Seraphiel moved between them, inspecting each connection with practised precision. The ancient warrior endured it in silence until a servitor began reciting the first of the prescribed maintenance litanies.
"The Litany of Reawakening is customary, Honoured-Brother."
"I am aware of what it is. I am saying it was unnecessary."
Seraphiel bowed his head and continued his work.
At the far end of the cage, Chaplain Malachai approached in robes of deepest black, his crozius held before him. He had been waiting for the ancient warrior's awakening, and now raised his voice in prayer. The words of the Chapter's rites echoed between the iron walls as servitors lit votive candles and fixed them to the sarcophagus. Their flames trembled in the rising vapour, illuminating the worn heraldry and the dark iron halo above the tomb.
The Dreadnought listened, his red optics following the Chaplain.
"In my time, we required no candles to prepare for battle."
"And yet, Honoured-Brother, the Chapter has preserved these traditions in your absence," Seraphiel answered, carefully to ensure he did no break the cadence of the prayer.
For a moment, the ancient warrior saw another chamber. Another Chaplain. The smell of hot metal and incense mingling beneath the gunmetal vaults of a Legion warship. A voice reciting blessings before the doors of a drop pod sealed shut.
Then the memory faded.
A servitor wheeled the plasma cannon into position. Its heavy coupling locked against the waiting mount, and Seraphiel personally oversaw the attachment of the power feeds. Fresh plasma canisters were secured within the weapon's housing, each one checked before the final seals were fastened. Coolant lines connected with sharp hisses, and a faint turquoise glow stirred deep within the coils as the weapon's spirit answered its first waking communion.
The Dreadnought's optics burned brighter.
For an instant, the arming cage vanished. He stood beneath a blackened sky, his cannon blazing. Burning plasma bolts streaked across a field of shattered stone, striking traitor armour and reducing men and machines to incandescent fragments. The enemy line buckled beneath the fury of his fire. He remembered the heat, the recoil, the certainty of the target.
Next came the power claw. Its great fingers were inspected, their actuators tested before the weapon was secured to the armature. Hydraulic lines locked into place, and the pistons flexed with a deep metallic groan. The ancient warrior watched the claw open and close, its talons catching the candlelight.
Another memory stirred.
Green-skinned brutes howling beneath a blood-red sun. The thunder of crude weapons against his armour. An immense Ork looming over him, only for the Dreadnought's claw to close around its torso. Bone, iron and alien flesh crumpled beneath the crushing force. He remembered the satisfaction of driving forward, unyielding, while the greenskins broke around him.
The claw closed once more.
"Your Power Claw is fully operational, Honoured-Brother."
"I should hope so. It was built to crush the enemy, not admire it."
Finally, the underslung storm bolter was loaded. Fresh magazines were seated, the ammunition feeds secured, and the weapon's targeting systems brought online. Seraphiel checked the final connections while Malachai concluded his prayers, the Chaplain's voice rising above the steady hum of awakening machinery.
The storm bolter spoke.
A short, thunderous burst rattled through the arming cage as the weapon completed its function test. The sound struck something deep within the ancient warrior. He remembered advancing through smoke and falling ash, the storm bolter roaring with righteous fury as traitors and xenos alike vanished beneath a relentless hail of fire. He remembered his brothers advancing at his flanks, their banners raised against the darkness.
Then came another image, fleeting and indistinct: a figure before him, a voice lost beneath the gunfire, and the terrible impact of a blow he had chosen to receive.
The memory slipped away before he could grasp it.
Seraphiel stepped back as the last cables were disconnected. Steam drifted from the arming cage, and the votive flames shivered in the wake of the departing servitors. Chaplain Malachai lowered his crozius and offered the ancient warrior a final blessing.
"The Chapter has need of you once more, Honoured-Brother."
The Dreadnought's optics settled upon him.
"Then let us not waste another moment."
His great pistons locked into position. The weapons settled beside him, their machine spirits roused and eager. Above the candle flames, his iron halo caught the light as the arming cage doors began to open.
"Now," the ancient warrior growled through the vox, "tell me what has become of my Legion."
So, Dreadtober marches on, and the first weekly check-in always seems to creep up far too quickly. Somehow, I never quite seem to have made as much progress as I wanted to by the time it rolls around.
The current state of my Dreadnought is thus.
As you can see, I've made some progress, but we're still very much in the "part-painted and looks like shit" phase of the project.
The Bone
The bone-coloured armour is nearly done. I think all that's left is a fine white line highlight and some chipping with Rhinox Hide to really make those edges stand out and finish the effect.
I've gone a little outside my usual painting method with this one. Rather than starting with my normal approach, I laid down a basecoat of Wraithbone before applying an overall coat of Speedpaint Pallid Bone.
The main colour was then built up using Pallid Wych Flesh from GW, applied with a circular drybrush motion to gradually develop the colour and coverage.
It's a slightly different approach for me, but I'm pretty happy with how it's coming together.
Black Is Never Really Black
The black on the sarcophagus has been an interesting little experiment.
I've discovered that the trick to painting black is not to paint black.
I'm using Corvus Black as the basecoat. It's actually a very dark grey, almost charcoal in appearance, which gives me a much better starting point for highlighting than a true black would.
The edges have been picked out with Mechanicus Standard Grey, and the plan is to give everything an all-over wash of Agrax Earthshade. This should tie the colours together and bring a warmer tone to the highlights.
After that, I'll go back over the armour plates with Corvus Black, much as I do with my Black Legion, to tidy everything up and establish a consistent colour across the armour.
Hopefully, this will give the sarcophagus that dark, near-black finish without losing all the definition in the shadows.
Decisions, Decisions...
The banners have been basecoated with Wraithbone and are ready for their next layer.
The two contenders at the moment are Sigvald Burgundy and Dark Angels Green. Either would give the banners a colour of their own and help distinguish them from the main body of the Dreadnought.
I haven't made my mind up yet, so I'll leave that decision for another day.
Perhaps I'll see which one takes my fancy when I next sit down at the painting desk.
The Base
Moving down to the base, the first coat of Mournfang Brown is on.
This provides the dirt colour that I use consistently across my armies, helping to tie them together visually. The Tyranids and Death Korps are the exceptions, as both were built around urban bases for a separate project.
There's still plenty to do here, but at least the groundwork has begun.
One decision remains, however: what exactly am I going to do with the unfortunate Chaos Space Marine beneath the Dreadnought's foot?
I'm leaning towards painting him as a Word Bearer, but I'm not entirely convinced yet.
Suggestions are welcome!
Until Next Week...
And that's where we are for this week's check-in.
Progress has been made, the bone armour is nearing completion, and the black is beginning to take shape. There's still a fair bit to do before this ancient warrior is ready to stride back onto the battlefield, but we're getting there.
We'll check in again in a week's time and see how much further I've managed to get.
Until next time, have nice day!
Wednesday, 7 October 2026
The Feudal Japanese Project - Part 7. Hojo clan Horsemen.
*****
I'll admit it. I was feeling a little down on the Samurai project.
After the rather disappointing Element Games trip where the Samurai never actually managed to take the field, followed by another trip being cancelled when a medical procedure was unexpectedly moved up the queue, enthusiasm for the project had taken something of a beating.
And, obviously, you NEVER turn down a medical procedure when the opportunity finally comes along.
So the Samurai had been sitting somewhat neglected for a while.
Then, while watching the Plastic Crack Podcast, Dom mentioned that he'd recently tried the Daimyo rules from Osprey.
His group had apparently had a pretty good time with them, and he recommended I give them a try. From what he was describing, they sounded remarkably close to what I'd been looking for with the big Samurai game.
Well...
The book arrived as a birthday present:
I sat down one quiet evening and started reading.
And, well...
He may have been right.
The rules tick pretty much every box I was looking for from this project. They're straightforward enough to get a big game moving, but still have enough going on to make the battlefield feel like an actual battle rather than two blocks of miniatures taking turns hitting each other with sticks.
There is, however, one small problem.
Unit sizes.
Daimyo uses fixed unit sizes:
- Small infantry units are 8 models.
- Large infantry units are 12 models.
- Small cavalry units are 6 models.
- Large cavalry units are 8 models.
My own collection isn't organised quite that neatly, with the individual models based separately rather than on multi-bases.
I'm sure there is a solution to this somewhere.
Perhaps two individual models could count as one Strength Point, or perhaps I'll simply find a sensible way to house-rule the unit sizes once I've played a few games.
For now, though, I'm not going to let that stop me.
Because this unit is finished.
Samurai Cavalry.
I deliberately went with the plain sashimono on these models and used a historical Hojo sashimono design.
The same assortment of colours was used here as with the previous Samurai unit.
One of the things I particularly enjoy about painting this force is that the colour scheme doesn't need to be particularly uniform.
Historically, Samurai weren't necessarily turning up for battle in a perfectly matching set of armour fresh from the same production line. Men would bring the armour they had available, repaired and maintained over time, and the result could be a wonderfully varied collection of colours.
Certain lacquer colours were more common, particularly black, brown and red, while the silk cords, clothing and kimono worn underneath provided much of the brighter colour.
I've deliberately dropped one or two of the more unusual patterns and colours from the models, as those would have been relatively uncommon, the Kyoushuneko models I printed have more sections of silk cords showing, so I've gone with the majority colour of that for some of them. But I've kept enough variation to stop the force looking like it has been assembled from one enormous Samurai armour catalogue.
And this is where the sashimono becomes particularly important.
With armour varying from warrior to warrior, the banner tells everyone on the battlefield who these men fight for.
Friend or foe.
Lord or enemy.
The black Hojo banners make the answer rather obvious.
I've actually had these models finished for a couple of months now and have only just got around to putting them up here.
I just didn't have the enthusiasm to post for a while.
Thankfully, things are beginning to pick up again.
The Daimyo rules have given the Samurai project something I've been missing: a reason to actually get them onto the table.
There are also several 40k projects in the works, including the continuing Dreadtober 2026 project, and there's a new historical period appearing on the horizon too.
That's going to be a joint project amongst the group, so there should be plenty coming from that direction as well.
My next post will be the Dreadtober 2026 update.
After that, I'll be sure to get some more Samurai onto the blog, along with some thoughts on Daimyo once I've had the opportunity to put the rules properly through their paces.
The project isn't finished.
It just needed a little time to find its feet again.
*****
Hooves fade into dusk.
The war banners lose their wind;
steel cools in stillness.
I dismount from waking life—
a rider no more.
*****
Until next time, have a nice day...
Sunday, 4 October 2026
95th Rifles - Commission Work by A Cardboard Fortress.
Sharpe watched the French column come on.
He and the Chosen Men lay hidden in a shallow fold of ground on the flank, screened by dry grass and the rise of the field. From there Sharpe could see the French clearly. They came in a deep column, blue coats packed close together, white crossbelts bright beneath the Spanish sun, bayonets glittering above their heads. The drums beat steadily as the officers urged the men forward.
Ahead of them stood a British battalion.
It looked too thin. Ridiculously thin. Two ranks of redcoats stood shoulder to shoulder against the mass of the French column, with gaps already showing where men had fallen. The colours hung behind the line and officers hurried along the ranks, dressing the men and shouting them into position. Sharpe could not help wondering how such a small line could possibly stop what was coming towards it.
The French column filled the field beyond. Blue coats packed together, white crossbelts bright in the sunlight, bayonets glittering above the heads of thousands of men. It was a great moving mass, deep and deliberate, while the British battalion looked like a thin red thread stretched across its path.
Harper crouched beside Sharpe.
"They'll need every man they've got."
"They'll need three volleys," Sharpe said. "A good battalion can give you three shots a minute."
The French came closer.
The first British volley crashed out.
Flame ran along the red line and smoke rolled across the field. The front of the French column disappeared. Men fell, others stumbled over them, but the column closed its ranks and continued forward.
"First," Sharpe said.
The British were already reloading.
The second volley came sooner.
It struck the French at closer range and this time the effect was unmistakable. The column slowed. Its front ranks crumpled and the men behind them checked their advance, forced to step around the dead. Officers shouted and waved their swords, trying to restore the pace, but the great mass of blue coats no longer moved with the same steady confidence.
Sharpe watched the British line. They had seen it too.
For a moment the redcoats cheered.
Then the officers began shouting for the men to reload. The third volley had to come quickly.
Sharpe saw the first cartridge bitten open. Powder was poured. Balls were rammed home, but there was no longer the calm precision of the earlier loading. A soldier slammed the butt of his musket against the ground rather than waste time working the ramrod. Another caught his hand against a bayonet and skinned his knuckles. A man fumbled his cartridge and cursed as he bent to find it.
The French were coming again.
The column had lost its momentum, but it had not stopped.
Sharpe understood the danger. The British were frightened now. Not broken, not yet, but frightened enough to hurry. The French were frightened too, for they had seen their own ranks torn apart and had felt the weight of British musketry.
Both sides were reaching the same moment. The next few seconds would decide which one lost its nerve.
The third volley fired, the sound was enormous.
The French column disappeared behind smoke and Sharpe saw men thrown sideways by the impact. The leading ranks collapsed into one another, and for the first time the column seemed to stop altogether.
The British line cheered.
But Sharpe did not.
He saw the redcoats trying to reload again and knew there would be no time. The French were too close now. Men were already lowering their muskets for the bayonet. Officers were shouting. The battalion had fired its three volleys and had done everything musketry could do.
Now came the killing.
Sharpe rose.
"Chosen Men."
They looked towards him.
Sharpe drew his sword and pointed towards the French flank.
"With me."
He did not wait for another order.
The Chosen Men charged.
They came out of the grass at the precise moment when the French were least able to respond. The column was trying to recover from the third volley, its front ranks struggling to reform while the British battalion held them in place. Sharpe's rifles struck the exposed flank like a blow from a hammer.
The Chosen Men fired once at almost point-blank range.
Then they went in.
Sharpe found himself among the French before he had time to think. There was no room for the elegant use of a sword now. A bayonet thrust towards his stomach and he knocked the musket aside, stepping forward to drive his blade beneath the man's ribs. Another Frenchman swung his musket and caught Sharpe across the shoulder with the butt.
The blow staggered him.
For a second his legs nearly went from under him.
The Frenchman raised the musket again.
Harper appeared beside Sharpe.
The big Irishman seized the French soldier by his crossbelt and smashed his own musket into the man's face. The Frenchman collapsed, and Harper hauled Sharpe upright.
"You all right, sir?"
Sharpe rolled his shoulder.
"I will be."
They went forward together.
There was no formation now, only men fighting in knots among the wreckage of the French column. Rifles became clubs. Bayonets stabbed at close range. Men grappled with one another, punching, kicking and clawing for an advantage. Sharpe and Harper stayed almost shoulder to shoulder, moving through the crush, each covering the other whenever a Frenchman tried to get behind them.
Then Sharpe saw the eagle.
It stood above the fighting, bright against the smoke, guarded by a knot of French officers who had gathered around it.
"Harper!"
"I see it."
They fought their way towards the standard.
A French officer stepped between Sharpe and the eagle. His sword came down hard. Sharpe caught the blow and drove forward, but another Frenchman struck at him from the side. Harper's rifle smashed into the man's ribs, and Sharpe used the opening to thrust beneath the officer's guard.
The Frenchman fell.
Harper seized the eagle.
For a moment he stood there with it clutched in both hands, his face blackened with powder and blood.
The French saw him, their eagle was gone and something broke.
Men who had endured the volleys and the rifle attack began looking backwards. Officers shouted for them to close ranks, but the column was no longer a column. It was a crowd of men fighting to survive.
Sharpe looked towards the British battalion. The redcoats were still standing, though their line had begun to move forward now, bayonets fixed.
Harper lifted the captured eagle.
"Captain?"
Sharpe looked beyond him.
The field was still full of Frenchmen. Guns were firing somewhere through the smoke, cavalry was moving on another part of the battlefield, and the heat pressed down upon everything.
"No time to admire it," Sharpe said.
Harper grinned.
Sharpe raised his sword.
"Come on."
They went forward with the Chosen Men, disappearing once more into the smoke and dust, because the French were still fighting and Salamanca was nowhere near won.
*****
Having taken a little piss with Dave in my previous post about the Useful Tools, I thought I should probably share a post about the actual commission work he did under his A Cardboard Fortress blog on Facebook.
Because, despite all the abuse, Dave is actually a very good painter.
No, seriously.
As mentioned in the previous post, and as you can probably gather from the text above, Sharpe and the 95th Rifles were the subject of this particular small commission.
Wargames Atlantic have been making the "Legends" series which focuses on the characters of the novels, and is based around the actors from the TV show.
Which has no doubt driven up interest in not only the period but the character as well. Unless you're a big historical fiction reader or entrenched in the Napoleonic era. Chances are you'll only have come across Sharpe due to the TV show.
My own collection of Sharpe hardbacks have pride of place on my bookshelf, surrounded by Black Library and my other historical fiction collections.
I do wonder if they're going to make a miniature of Lady Isabella Farthingdale.
Back to wargaming...
We believe these particular models came from the now-discontinued British Rifles box that Wargames Atlantic previously produced. They make a rather nice little representation of the Chosen Men, particularly with the character models giving the unit some personality rather than simply being a collection of generic riflemen.
The full section, painted and "almost" professionally photographed:
As you can see, Dave has done a very good job with them. They have the sort of character that makes me immediately want to put them on a table and start throwing dice.
I could quite easily see these being used for a Napoleonic skirmish game, with Sharpe, Harper and the Chosen Men operating as a small elite unit amongst the larger armies, much like the fiction.
Of course, many of the battles depicted in the television series would technically be considered skirmishes by the standards of the period. But that is largely a consequence of television rather than history. A production simply cannot put thousands upon thousands of extras onto a battlefield every time two armies meet.
What the series did manage to capture, however, was the impression of the larger battle happening around these small groups of men. That makes the Chosen Men particularly well suited to skirmish gaming. A handful of figures can have their own little story while the larger battle rages somewhere beyond the table.
I look forward to seeing what Dave takes on for his next commission. He seems to have a habit of choosing a completely different period or range of miniatures each time, so there is usually something interesting to look at.
And, despite the earlier abuse, I have to admit these turned out rather well.
Until next time, have nice day.































